In 2011 he released the Songbook album, a career-spanning live acoustic album that acted as a restart after the Scream debacle. Inevitably, this exercise in toe-dipping soon turned into a fully fledged comeback, one that took in a headlining slot at the 2010 Lollapalooza festival, an appearance on the soundtrack to the first Avengers film and, eventually, a brand new album, 2012’s relatively well-received King Animal.Ĭornell didn’t abandon his solo career this time. In April 2010, the band played a reunion show at Seattle’s Showbox Theater under the anagrammatic name Nudedragons. He’d put a marriage behind him by then, too, and had had a stint in rehab to curb his drinking.Īlthough he soared with the stellar Euphoria Morning, he sometimes faltered in his solo work, and alienated a huge swathe of his audience by daring to push the musical envelope by working with dance producer Timbaland on Scream – which made some of his fans do just that.Īfter the chastening experience of his Timbaland collaboration, Cornell retreated to the safest ground possible: Soundgarden. He shone briefly and brightly at the apex of Audioslave’s career with their fully realised first and second albums, but had spectacularly fallen out with his bandmates by their third, Revelations. In songs like Hunger Strike and Times Of Trouble Cornell actually crooned. Cornell managed to transcend the fact that he was once the singer in the best band to come out of Seattle by revealing his introspective, brokenhearted side with the excellent Temple Of The Dog album – his paean to the late Mother Love Bone singer, Andrew Wood.
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